Radhika Apte Adjudged As ‘Queen Of OTT’: IIHB Report

The likes of Maanvi Gagroo, Mithila Palkar and Prajakta Koli have also emphatically made their mark in this new medium

Radhika Apte outpaces all her competitors and peers in the OTT space to top the Indian Institute of Human Brands (IIHB) Report in the New Year. 

Radhika Apte without a doubt is the hottest property on the OTT circuit today in India. There was a time when social media was flooded with memes about the dusky actress. Apte was in practically every new series of Netflix. The Apte magic has only grown over the past few months. She has the oomph, she has the sex appeal, she has the intensity, and she has the talent. Radhika Apte is a winner all the way in the just-released IIHB Report where she scores an ‘Oomph’ rating of 9, the highest among the 50-odd OTT top ladies covered in the study. “Radhika Apte has a magical presence. She seems perfectly suited for OTT and all that the new-gen wants to binge-watch today. Apte has intensity. She has a presence. Yet there is a raw quality about her that younger metro-centric audiences seem to love”, stated the Chief Mentor, IIHB, Sandeep Goyal.

Former Miss Universe, Sushmita Sen, who come back to the screen with a renewed determination and tenacity stands second to Apte. “She is looking good. She is supremely self-confident. Looks like her OTT innings will be better than her Bollywood years where she never quite attained the peaks she was capable of ”, said Goyal. Nora Fatehi is co-bracketed with Ms. Sen in the ‘Oomph’ rankings ladder at second place. 

The likes of Maanvi Gagroo, Mithila Palkar and Prajakta Koli have also emphatically made their mark in this new medium. In their own way, Urvashi Rautela, Rasika Dugal, Richa Chadha and Kirti Kulhari have demonstrated through stellar performances that the OTT medium requires the presence of the big screen, but it also needs the nimble footedness that digital audiences demand.

What do OTT Queens need to be?

Well, they need to be bold and beautiful. That is kind of minimum threshold. Interestingly, they also need to be sensitive and glamorous. These may seem to be polar opposites but in the case of these demi goddesses, kindness and gloss seem to need to co-exist. The IIHB Research throws up ‘unconventional’ as an important attribute in the success of the OTT ladies. This could well be a function of the tricky themes of many of the OTTs, hence the need for the lead actresses to play roles that were traditionally not part of their usual repertoire. The ‘unconventional’ also perhaps extends to looks and body language too. Which is underlined by the attributes of witty and confidence. Also, gritty. It is a competitive landscape and not easy for any of the players to differentiate in this crowded OTT screen space.

And what are the lead attributes?

The desired lead attributes as perceived by audiences are an interesting mirror to the OTT Queens. So, Gul Panag is seen to be ‘sensitive’, Sushmita Sen and Mini Mathur are labelled ‘straightforward’, Lara Dutta is ‘witty’, Radhika Apte is ‘unconventional’, Bani J is ‘confident’, Divyanka Tripathi, Riva Arora, Jhanvi Kapoor and Shiv Jyoti Rajput are all ‘beautiful’, Shobhita Dhulipala is ‘talented’, Urvashi Rautela is ‘ambitious’, Shefali Shah and Nora Fatehi are ‘different’ while most others are ‘bold’. “Because bold is a minimal constant in this space. Bare and dare are an intrinsic part of the OTT offering; hence there is no scope for coyness for those who wish to essay roles in this cut-throat domain”, explained Goyal.